Today is the last day of 2009 and it’s time, therefore, for a Top 10 Worst of the Year list. But not this year. There’s only one contender.
P2P — people2people — communications are here to stay. The information-for-all genie is well and truly out of the bottle and nothing will get it back in.
Fred Wilhelms responds to SX’s Laura Williams, addressing her statements point-by-point.
‘New to the site and would like to see a list of all artists who are into this …’
The tunes add up to the first million downloads, say the guys, pointing out the music has been distributed through the BitTorrent and Gnutella networks with FrostWire.
‘ … please understand that a small organization with a low administrative fee must prioritize.’
‘I make no bones about it – if there’s some Thom Yorke EP floating around and it’s not out until next week, then I’ll download it illegally.’
‘Casual fans … abandon you the moment you have an opinion on anything … or try something different. Casual fans buy the “greatest hits” compilations because they only want the radio hits.’
“I think the major factor in the couldn’t-come-soon-enough decline of the major label industry is greed. Greed and underestimating the intelligence of their patrons.”
The music business is in ‘rude health’. It’s the record business that’s ’screwed’.
Good news? You’re finally in charge of your career. The bad news? That face in the mirror, it’s the only one to blame if things don’t go well.
‘Some artists have been owed money for more than a year, and the chance of them seeing any money now is, for all intents and purposes, zero … ‘
“The music industry has long hit a trifecta of thin value — crappy music, ripped-off artists, and ethically dubious tactics.”
But ‘When Google announced that Street View was coming to Saskatoon, a light bulb went on … ‘
To date, all that the industry has accomplished through its brute force efforts is to waste time, lose money, and squander goodwill. No time remains for stopgap measures.
Artists ‘can say goodbye to the 18th century business model of selling their recordings to a record label for them to sell copies …’