Oct 28

Hi all: a2f2a.com went online about a week ago under the premises:

There’s no technological solution to the problems artists face following the digitisation of music; and,

P2P users are more than willing to pay for music if they can be sure their money is going to the artists whose work they enjoy.

The site is steaming ahead, but it lacks something important.

A logo. So we figured what better way to find the perfect image than to have a contest !

If you’re graphically inclined, send your entry to p2p @ shaw dot ca with November 15 as the closing date.

We’ll put the 10 best together on a page here and on p2pnet.net, and we’ll announce the results toward the end of November.

What will the winner receive? Stay tuned on that. ;)

6 Responses

  1. rabbit80 Says:

    I’m no artist, but here is my effort (all created using creative commons licensed software & gfx)

    http://imagebin.ca/popup/Sp6Ke5A.html

  2. Daniel Harris Says:

    Please can you clarify “There’s no technological solution to the problems artists face following the digitisation of music”?

    That’s a pretty broad statement.

    What is the basis for the conclusion?

    I think this is a fundamental point that needs addressing.

    Or are you saying “There’s no [current] technological solution to the problems artists face following the digitisation of music”?

    Would you like there to be one?

    I guess in order to delve deeper into this we need to know exactly what the “problems artists face” are. Do you have a list?

    If our “premises” are wrong then our foundation is weak and the actions we take may be in error. So, it’s important to keep going back to the premises.

    I really look forward to your answers.

    Cheers Daniel

  3. Crosbie Fitch Says:

    Firstly, it’s debatable whether ‘the problems’ are being faced by artists rather than the labels – who’ve traditionally been the ones to drip feed their audiences’ money to the artist. The labels are losing their monopoly control over the distribution of music, and there’s no technological solution to that aside from burning all the communications and recording equipment on the planet that isn’t under their control. Some equipment manufacturers are trying really hard to help them, but it’s more a placatory measure than an effective one.

    The key problem artists are facing is how to enable their audience to pay them directly rather than via a label. Fortunately, that does have a technological solution.

    The other problem artists (as their audiences) are facing is in how to share and build upon existing culture without having to seek permission (especially that of the labels who would otherwise obtain it for them). Unfortunately, this is a legislative problem (with a straightforward legal solution: abolition) , but can be ignored through civil disobedience, e.g. file-sharing (a technological solution).

    So, really artists are looking at technological solutions to their problems, whereas labels are looking at a technological doom – the end of their business of controlling the distribution and reproduction of music.

    Free distribution and reproduction of music means the artist no longer has to see 99% of their audience revenue go to the label. But then, that means the label loses 100% of their revenue.

    Whether you see this as a problem depends upon whether you’re a label or signed to them, or an independent artist who doesn’t hope to be.

    Interesting times.

  4. David L Says:

    @Daniel
    “There’s no technological solution to the problems artists face following the digitisation of music”

    This means you can’t stop the signal. It means there is no technical way to stop peer-to-peer sharing and file sharing networks. Even if someone found a way to shut down the current iteration of file sharing, something else would pop up in its place whether it be encryption or direct downloads or private networks. It means that when you make anything digital, such as music, it can be traded infinitely and so cannot be controlled. The problems refer to trying to make make money with the old business model (sell plastic) when the market has changed.

  5. Daniel Harris Says:

    @Crosbie:

    Your reply was not particularly helpful as you did not address my question directly but went off on a kind of sideways label bashing “dancing on their grave” rant.

    @David

    You are assuming that there being no way to stop peer-to-peer file sharing is the problem. Is it? Did you write that statement? Surely the problem is that artists aren’t getting food on their plate. That’s my experience. There’s no easy way to pay artists when using P2P file sharing even though in some circumstances people would like to. Note I’m saying easy here. Sure, people can spend a lot of time tracking down an artist and sending them a cheque. But the whole point people are using peer-to-peer file sharing in the first place is for convenience and time management. People have busy lifes!

    Cheers Daniel

  6. DevilsAdvocate Says:

    @Daniel:

    I think you need to read Crosbie’s reply again.
    He actually gave you more than one concrete answer to your question, and pointed out how each “problem” could be “conceived” by different players in the scenario.

    Billy’s statement (”There’s no technological solution to the problems artists face following the digitization of music”) was made in ANSWER to a bunch of issues associated with how digitizing music has changed the very landscape of how music can’t/can be marketed/sold.

    It was addressing things like how copyright and “3-strikes” laws and suing customers don’t succeed in stopping file sharing, and how no “technical” measures to reinforce the movement made any difference.

    What you’ve inadvertently done is pose his statement back as a question, which makes for a question that’s even broader than the ground he was trying to cover with the initial statement.

    Clear as mud?
    :)

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